A Couple Of Afternoon Timelapses

You see physics in action as you look at the clouds interacting with the rest of the atmosphere at this much faster pace. Everything that happens is dictated by the laws of physics. Nothing is random.

So many things look different when seen at an alternate time scale. Nature is pretty damn cool.

0880I’ve taken a few time lapse videos today. The camera is mounted with a suction cup to the outside of my office window.

It’s a GoPro, one of the biggest breakthroughs in video technology, ever. It’s a cheap, tiny, waterproof, indestructible, high definition video camera that also shoots stills.

Every two seconds it snaps another frame. One hour of real time equals one minute of video. In editing it can be sped up even more.

The GoPro’s secret is its super wide lens–the opposite of a telephoto. Being wide reduces shake and makes aiming shots much less critical. It’s great for things very close or very large–like the sky.

The whole stills-to-video process is a pain. Nothing difficult. Just lots of steps.

You see physics in action as you look at the clouds interacting with the rest of the atmosphere at this much faster pace. Everything that happens is dictated by the laws of physics. Nothing is random.

So many things look different when seen at an alternate time scale. Nature is pretty damn cool.

Doppler: This Shot Captures Her Essence

dopplers-essence

If Doppler ever learns to talk, her first words will be, “Turn off the damn camera!” I’m taking advantage of the situation. She can’t say no. She’s been my photographic subject thousands of times.

Every once in a while a single photo will stand out. This one does to me.

Helaine was drying Doppler after her shower. The blow dryer was farther down her back. Doppler was prone with her snout flat on a towel.

I was flat on my belly and on the other side of the bedroom when I snapped away. It wass a 300mm F/4 lens, a telephoto. I shot at 1/200th, slow for this focal length but OK because of image stabilization.

The ISO was 4000. Very high. You get tiny noise specs on the photo. It’s the price you pay for sharpness in low light.

This lens, configured this way, produces a shallow depth of field. On shots like this you try and get the eyes in focus and forget everything else. That wasn’t happening. Her bangs worked fine. Doppler’s nose is slightly out-of-focus while most of her body is softly blurred.

I like this shot in part because of the incredible contrast in her fur. Bright white to shadowy dark grey are represented. Each cluster of strands lies a different length from the lens, so not only is there contrast in luminance, there’s contrast in sharpness.

When Doppler speaks, after she tells me to stop, she’ll let me know this photo captures her essence.