Does This Make Me A Professional

It’s tougher than ever to be a professional shooter.

I have become part of the problem. You’re welcome.

Geoff Fox   Fine Art

Am I a professional photographer? I now have photos for sale. More on that in a moment.

“Real” professional photographers complain about well meaning, but poorly trained and equipped amateurs who buy a DSLR and freelance. They complain because those guys steal business. It’s tougher than ever to be a professional shooter.

I have become part of the problem. You’re welcome.

My hobby is photography. Maybe more obsession than hobby. Photography is a technical sport. I have little artistic talent. None is needed. It’s all about understanding the tools… and a little Photoshop.

People say nice things about my work all the time. Maybe they’d like to hang me?

My friend, Catie Canetti, is also a photographer. She’s taken great shots recently in the Tetons near Jackson Hole, Wyoming. Catie sells her work online. I thought I’d try too.

You can see my first three offerings on FineArtAmerica.com. There are a lot more to come.

I believe my $30 is the only qualification to being a fine artist at FineArtAmerica!

I’ll let you and the IRS know how things go.

Buying A Camera — Advice From A Friend

The biggest problem is most people take their camera out of the box and never touch or change anything!

My friend Chris Gampat, a professional photographer, has lifted a great burden off my shoulders. He’s answering a question I’m asked all the time: What camera should I buy? Instead of giving specific models Chris has run through the checklist you should run through: “How to Choose a Point and Shoot.”

The problem with giving actual model numbers is the game is constantly changing. Something new is coming out all the time while older models are retired. It’s impossible for me or Chris to keep up with lines of cameras we won’t ever use.

The biggest problem is most people take their camera out of the box and never touch or change anything! The camera makes decisions while in “AUTO” based on generalizations and assumptions–but they’re not always right.

“AUTO” often produces blurry photos in situations where the same camera could have produced something sharper!